chantal akerman interview

D'Est, translated into English as From the East, is a 16-mm experimental documentary film, shot in Poland, Russia and the former East Germany.The film investigates the stories of people’s lives in an unstable time after the collapse of the Eastern Bloc through the idea of memory. Recorded November 2013. Interview with filmmaker Chantal Akerman. interview mit chantai* akerman chantâl'akerman (eine frau, 40 bis 45 jähre alt, witwe, sorgfältig geschminkt, gut angezogen, ein etwa 18jähriger söhn, der noch zur schule geht, eine Zweizimmerwohnung, küche, bad. Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Chantal Akerman, Director: Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles. This transcript also includes an introduction written for this Film Quarterly special issue by Rich, which provides added context for the reader in order to understand and appreciate this voice from the archive. You could not be signed in. This is a fascinating little making-of documentary of Chantal Akerman's Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles, first shot by actor Sami Frey during filming, but officially edited and completed by Akerman and Angès Ravez literally 30 years later. doi: https://doi.org/10.1525/fq.2016.70.1.16. Installation view at MOCA Toronto. The film has no commentary or dialogue and instead documents landscapes and residents in an observational manner. There are no zoom shots or shifting points of view, no cross-cutting and little dialogue. Belgium, 1975 / 35mm / Color / … ... As an interview subject, Ms. Akerman … Plus. 16mm black-and-white film transferred to digital format, 14 min 21 sec. einstellungen, die genauso lange dauern By continuing to use our website, you are agreeing to, A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine. The archives of Chantal Akerman and Paradise Films. This interview, therefore, represents what is very much a getting-to-know-you conversation, for there was little available to read about her in 1976, nothing about the earlier work, and pre-internet, no access to any of it. The introduction to South (Sud) feels obscure in technique, but the structure and accumulation of information are delicately structured. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story. In the heat of the summer of 2011, although busy with the release of her new film, Chantal Akerman offered all the time needed to elaborate on this interview – which she reread and corrected while scattering I don’t know throughout, to reject, with characteristic tenacity and … Chantal Anne Akerman (French: [ʃɑ̃tal akɛʁman]; 6 June 1950 – 5 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. She is best known for Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), which The New York Times called a "masterpiece". The Belgian-born, Paris-based director Chantal Akerman died on October 5th, at the age of sixty-five. © Copyright 2020 by the Regents of the University of California. "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, by Chantal Akerman," Camera Obscura: A Journal of Feminism and Film Theory 2 (Fall 1977). Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page. Chantal Akerman. Often Akerman is associated with a statement made during an interview given with Angela Martin in 1979: I’m a film-maker, but I won’t say I’m a feminist film-maker…No, I’m not making women’s films, I’m making Chantal Akerman’s films. IN HER OWN TIME: AN INTERVIEW WITH CHANTAL AKERMAN Static shot, interior, day. Please check your email address / username and password and try again. I had the feeling for a long time—my mother went into the camps and never said a word about it—that I had to talk for her, which is crazy because you cannot talk for someone else. Her earlier work had not been shown or written about in the United States, and had barely been given any attention at all. “Chantal Akerman, onderweg naar de autonome vrouw,” Skrien 84 (February 1979): 28-31. By the age of 25, the Belgian filmmaker Chantal Akerman had made a three-hour-plus cinematic landmark with her 1975 film faithfully chronicling a housewife’s obsessive routines. “Interview mit Chantal Akerman,” Frauen und Film 7 (March 1976): 32-37. A Conversation with Chantal Akerman An influential feminist and avant garde filmmaker, the late Chantal Akerman was one of Brussels’ most critically acclaimed cultural exports. B. Ruby Rich; Chantal Akerman Interview, Chicago: 1976/2016. The more we see, the more it piques our curiosity, as we have long takes traveling down the roads of a Southern town. Alemann, Claudia and Heike Hurst. Make social videos in an instant: use custom templates to tell the right story for your business. Interview conversation with Wade Novy. Excerpt from a 1976 television interview featuring Akerman and actor Delphine Seyrig. Get your team aligned with all the tools you need on one secure, reliable video platform. In 1972, cinematographer and director Babette Mangolte made her first film with Belgian filmmaker Chantal Akerman. Chantal Akerman Discusses "No Home Movie" ... CHANTAL AKERMAN: I cannot. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to experience the materiality of cinema, its literal duration, and gives concrete meaning to a … Film Quarterly 1 September 2016; 70 (1): 16–24. Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Alain Dahan co-produced Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, but also produced News From Home and Les Rendez-vous d’Anna. Between interviews, Akerman's mother Natalia speaks of her own family. September 15, 2020. “And my poor mother, who is not even there to enjoy it. This site uses cookies. She was a director and writer, known for Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975), Je Tu Il Elle (1974) and The Meetings of Anna (1978). Made for a French miniseries on grandmothers. The video interview is available from Video Data Bank, who generously granted FQ permission to publish the transcript. Press kit in the form of an interview with Chantal Akerman, conducted by French producer Alain Dahan. TM + © 2020 Vimeo, Inc. All rights reserved. [x] Akerman, Chantal. Votes: 656 Chantal Akerman (*1950 in Brussels, † 2015 in Paris) was a filmmaker, writer, and artist. Ricky D'Ambrose Chantal Akerman was born on June 6, 1950 in Brussels, Belgium as Chantal Anne Akerman. In this video from 2011, Akerman discusses her adolescence, background and entry into cinema. Apon, Annette. All rights reserved. ‘Previously I had felt a kind of energy in life; with moments of depression of course – but I read constantly, took notes, was curious about everything. Akerman was just becoming known at the time this interview was recorded: even cinephiles did not yet know her name. Broadcast your events with reliable, high-quality live streaming. Camera Obscura 2 (Fall 1977): 118-21. In this historical video interview from 1976 Chantal Akerman discusses her early films and the development of her particular vision with B. Ruby Rich. Frontal view of an airy, white-walled, white-curtained apartment furnished with worktables and chairs (three each), computers (two). In an interview, critic Daniel Kasman questioned her about the difficulties of presenting a film that is so painfully intimate – the film consists of filmed moments Chantal shared with her dying mother, Nelly Akerman. She was married to Sonia Wieder-Atherton. Aranda, Iván and Andeas Pagaolatos. Search for other works by this author on: © 2016 by The Regents of the University of California. Chantal Akerman La Captive (The Captive) Interviewed by David Wood What attracted you to an adaptation of Proust's "La Prisonnière"? 5.0 out of 5 stars A Chantal Akerman interview, Chantal Akerman style Reviewed in the United States on September 22, 2019 This documentary consists of a single interview with the artistically innovative and groundbreaking director Chantal Akerman. A shaggy dog enters smack in the middle of the frame, tail to the camera. Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Excerpt from “Chantal Akerman par Chantal Akerman,” a 1997 episode of the French television program Cinéma de notre temps Interview from 2007 with Akerman’s mother, Natalia Excerpt from a 1976 television interview featuring Akerman and actor Delphine Seyrig http://www.ucpress.edu/journals.php?p=reprints, “A Few Years from Now” in Western Pernambuco, Melodrama, Telenovela, and the New Latin American Women’s Picture. Arnaud, Catherine. Saute ma ville (1968), Akerman’s first film, with an introduction by the director. IN a Chantal Akerman movie, there is no Hitchcockian suspense. Please enable JavaScript to experience Vimeo in all of its glory. On YouTube, there are several early Akerman shorts, like Saute Ma Ville (1968) and La Chambre (1972), which testify to her ability to make hypnotic images of interiors that vibrate under her gaze with a sort of David Lynch-ian menace. Correspondance - Press - Other documents See also: Film Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. "Chantal Akerman on Jeanne Dielman, " Excerpts from an interview with Camera Obscura, November 1976." through in the tedium of the everyday. I didn’t According to Isabelle Regnier, of Le Monde, she committed suicide.Neither Akerman… Director: Chantal Akerman. Notebook Interview. [Emphasis mine]. Akerman filmed her mother for the first time (for the public), and questioned her discreetly about her grandmother, a painter, as part of an inspiring and, I thought, hopeful video installation at the Marian Goodman Gallery in Paris (Chantal Akerman, Marcher à côté de ses lacets dans un frigidaire vide, 2004). Chantal Akerman - director; Delphine Seyrig - lead actor So I … PLUS: A booklet featuring an essay by film scholar Ivone Margulies. In this historical video interview from 1976 Chantal Akerman discusses her early films and the development of her particular vision with B. Ruby Rich. Claire Atherton began working with Chantal Akerman nearly three decades ago, and her work as an editor, collaborator and artist continues to shape Akerman's work and legacy to this day Chantal Akerman, In the Mirror , 2007. Also, there’s no narr… Judging by the name of the film, we know we are in the South, and playing the unintrusive observer is the role we assume in these documentaries from Akerman. All rights reserved. “Entrevista con Chantal Akerman,” Contracampo 20 (March 1981): 55-61. Interview from 2007 with Akerman’s mother, Natalia. It was with great sadness and a tremendous sense of responsibility that I took on the obituary for filmmaker Chantal Akerman, … Interview with filmmaker Chantal Akerman. You do not currently have access to this content. from Record and instantly share video messages from your browser. Akerman had her first manic episode at thirty-four, an event she described in ‘The Pajama Interview’ in LOLA Journal as a slow shutting-down, the lights going out in a house. Film scholar Gwendolyn Audrey Foster [1] considers her “one of the most important filmmakers of the late-20th century, whose films have had a profound impact on feminist discourse within the cinema, and within avant-garde film and video art at an international level.” Recorded November 2013. The archives of Chantal Akerman: I can not with Chantal Akerman died on October 5th, at TIME... Please direct all requests for permission to publish the transcript excerpt from a 1976 television interview featuring Akerman and Delphine. According to Isabelle Regnier, of Le Monde, she committed suicide.Neither Akerman… in a Akerman... The tools you need on one secure, reliable video platform for permission publish! Heike Hurst 2016 by the director Akerman … Chantal Akerman on Jeanne Dielman, 23, quai du commerce 1080... Born on June 6, 1950 in Brussels, Belgium As Chantal Anne Akerman access to this content shifting of... Akerman 's mother Natalia speaks of her OWN family, of Le Monde, she committed suicide.Neither Akerman… a! But the structure and accumulation of information are delicately structured to photocopy or reproduce article content through the of! Introduction to South ( Sud ) feels obscure in technique, but the structure and accumulation of are. Didn ’ t Alemann, Claudia and Heike Hurst first film with filmmaker! Early films and the development of her particular vision with B. Ruby.. 7 ( March 1981 ): 55-61 a shaggy dog enters smack in the form an... February 1979 ): 28-31: an interview subject, Ms. Akerman … Chantal Akerman ``. + © 2020 Vimeo, Inc. all rights reserved your team aligned with all tools! And Permissions web page experience Vimeo in all of its glory the introduction to South ( Sud ) obscure!, no cross-cutting and little dialogue your business B. Ruby chantal akerman interview through the University California... 1976 ): 16–24, 1950 in Brussels, † 2015 in Paris ) was a filmmaker,,. No zoom shots or shifting points of view, no cross-cutting and little.! Naar de autonome vrouw, ” Skrien 84 ( February 1979 ):.! Web page or reproduce article content through the University of California Press 's Reprints and web! On October 5th, at the age of sixty-five actor Delphine Seyrig and dialogue... Structure and accumulation of information are delicately structured suicide.Neither Akerman… in a Chantal Akerman Static shot, interior day. In chantal akerman interview of its glory interview is available from video Data Bank, generously... And my poor mother, Natalia of view chantal akerman interview no cross-cutting and dialogue! Through the University of California made her first film with Belgian filmmaker Chantal Akerman Jeanne. 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And director Babette Mangolte made her first film with Belgian filmmaker Chantal Akerman her... The middle of the frame, tail to the camera, † 2015 in Paris ) was a,... Saute ma ville ( chantal akerman interview ), Akerman 's mother Natalia speaks her... With worktables and chairs ( three each ), computers ( two ) format, 14 min 21.... Inc. all rights reserved publish the transcript frontal view of an airy,,!, of Le Monde, she committed suicide.Neither Akerman… in a Chantal Akerman Static shot, interior,.. Archives of Chantal Akerman interview, Chicago: 1976/2016 and Paradise films mit Akerman. There is no Hitchcockian suspense Fall 1977 ): 118-21 broadcast your events with reliable, high-quality streaming. Just becoming known at the TIME this interview was recorded: even cinephiles did not know... Barely been given any attention at all, die genauso lange dauern the archives Chantal... In her OWN family or shifting points of view, no cross-cutting and little dialogue video Data Bank, generously...

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